The Philosophy of Fine Art, volume 4 (of 4): Hegel's Aesthetik — Georg Hegel — John Shaqi
The Philosophy of Fine Art, volume 4 (of 4): Hegel's Aesthetik
Georg Hegel · en
(_αα_) In other words, looked at from one point of view, such a
consciousness regards the wide expanse of reality according to that
association of cause and effect, object and means, and all other
categories of the mode of reflection which deals with _finite_
conditions and the objective world generally, that is, the limited
categories of science or the understanding. It is a feature of such
thought that every particular trait should at one moment appear with
a false subsistency, at another should be placed in the position
of _bare_ relation to something else, that as such it should be so
apprehended in its relativity and dependence that no unity of a
free nature whatever is possible, no unity, that is, which remains
essentially throughout, and in all its branches and separate filaments,
a complete and free totality, no unity, in short, where we find that
the individual aspects are simply the appropriate explication and
phenomenal presence of _one_ content which constitutes the point of
focus, the soul that unites all together, and which also finds its
vital principle in this all-pervading centre of animation. Rather the
type of conception we above refer to as that of science goes no further
than the discovery of particular laws in phenomena, and persists for
this reason in the separation, or bare relation, of the particular
existence with its general law, the laws themselves under this view
tending to harden from each other in their isolate singularity; that
their relation is, in fact, conceived exclusively under external and
finite conditions.