The Philosophy of Fine Art, volume 4 (of 4): Hegel's Aesthetik — Georg Hegel — John Shaqi
The Philosophy of Fine Art, volume 4 (of 4): Hegel's Aesthetik
Georg Hegel · en
(_ββ_) And, furthermore, man's _ordinary_ consciousness has nothing
to do with what we call the ideal principle of association, the
essential core of facts, their bases, causes, ends, and so forth. It
rests satisfied with the acceptance of the mere fact that something
exists or happens as distinct from something else; or, in other words,
with its insignificant contingency. It is no doubt true that the
unity of life is not, in such a case, deliberately cancelled by any
express separation; that unity, I mean, in which the intuition of the
poet arrests the ideal _rationale_ of the fact, its expression and
determinate existence. What, however, is absent here, is just that
flash of insight into this core of reason and significance, which
becomes consequently for our intelligence a thing essentially vacant,
possessing no further claim on our minds to a rational interest. The
comprehension of a rational cosmos; and its relations is exchanged then
and there for a mere flux and contiguity of indifference, which it
is true may possess a large expanse of external animation, but which
none the less suffers the profounder impulse of reason[4] to remain
unsatisfied. True vision, no less than soul-life in its full vigour,
can only obtain satisfaction, where such are made aware in phenomena,
through feeling no less than contemplation, of the reality in its
essence and truth which is compatible with such a world. The life which
is a mere external show is defunct to our deeper sense, if all that is
ideal and intrinsically rich in significance fails to shine through as
the very soul thereof.