Robert Orange: Being a Continuation of the History of Robert Orange — Thomas Hobbes — John Shaqi
Robert Orange: Being a Continuation of the History of Robert Orange
Thomas Hobbes · en
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ROBERT ORANGE
BEING A CONTINUATION OF THE HISTORY OF ROBERT ORANGE, M.P.
AND A SEQUEL TO THE SCHOOL FOR SAINTS
By
John Oliver Hobbes
LONDON: T. FISHER UNWIN
PATERNOSTER SQUARE. MDCCCC
(All rights reserved)
CHAPTER I
One afternoon during the first weeks of October, 1869, while wind, dust,
and rain were struggling each for supremacy in the streets, a small
yellow brougham, swung in the old-fashioned style on cumbersome springs
and attached to a pair of fine greys, was standing before the Earl of
Garrow's town residence in St. James's Square. The hall clock within
that mansion chimed four, the great doors were thrown open by two
footmen, and a young lady wearing a mauve silk skirt deeply flounced, a
black cloth jacket embroidered in gold, and a mauve hat trimmed with
plumes--appeared upon the threshold. She paused for a moment to admire
the shrubs arranged in boxes on each window-sill, the crimson vines that
brightened the grey walls; to criticise the fresh brown rosette under
the near horse's ear; to bestow a swift glance upon the harness, the
coachman's livery, and the groom's boots. Then she stepped into the
carriage and gave her order--
"To the Carlton Club."
The groom climbed on to his seat, and the horses, after a brilliant
display of their well-disciplined mettle, suffered themselves to be
driven, at an easy pace, toward Pall Mall.
Lady Sara-Louise-Tatiana-Valérie De Treverell, only child of the ninth
Earl of Garrow, had been, since her mother's death, the mistress of his
house and his chief companion. Essentially a woman of emotions, she was,
nevertheless, in appearance somewhat dreamy, romantic, even spiritual.
The eyes were blue, bright as a cut sapphire, and shone, as it were,
through tears. Her mouth, uneven in its line, had a scarlet eloquence
more pleasing than sculpturesque severity. At the moment, she wore no
gloves, and her tapering fingers shared their characteristic with her
nose, which also tapered, with exquisite lightness of mould, into a
point. For colour, she had a gypsy's red and brown. The string of gold
beads which she fastened habitually round her throat showed well against
the warm tints in her cheek; her long pearl earrings caught in certain
lights the dark shadow of her hair--hair black, abundant, and
elaborately dressed in the fashion of that time. Passionate yet
calculating, imperious yet susceptible of control, generous yet given to
suspicion, an egoist yet capable of self-abandoning enthusiasm--she
represented a type of feminine character often recognised but rarely
understood.