Few people, in an outburst of enthusiasm, would select the King's Road, Chelsea, as an ideal locality to reside in. It is an important thoroughfare, no doubt, but it lacks nobility and distinction. There are isolated, quiet spots in it, with houses lying back from the road; and from the upper windows of favoured residences one can obtain a view over Yeitch's or Bull's extensive hothouses, and catch dim shadows of great tropical palms and a mellowed dash of brilliant red and yellow. There are others which look over Portman Square or St. Luke's Churchyard. But on the other hand, there are long stretches of dreary shops and factories, grit and general uncomeliness. Without being squalid, it has a careworn, untidy appearance, as if it was far too much harassed with the petty worries and strain of workaday life to think of cheerful adornment. Few people, except errand boys whose sense either of aesthetics or duty is usually undeveloped, saunter casually along the King's Road. A stranger tries to get out of it as fast as he can; a frequenter has his business to attend to. Fashion does not pass along it, except on tearing drags bound for Hurlingham. It is essentially a small bourgeois part of London, with all the small bourgeois unpretence and honest, if somewhat dismal, solidity. It was in the middle of such a dreary stretch of the road, some half mile west of Sloane Square, that Clytie found a lodging. The fact that a green-grocer's shop, owned by the landlord of the house, occupied the ground floor was compensated, in a measure, by the existence of a small studio at the back, on the first floor, originally constructed by a struggling photographer, who had since worked his way upwards into a more fashionably perfumed atmosphere. One of Clytie's favourite fellow-students, Winifred Marchpane, who lived in Lower Sloane Street, and whose family obtained their potatoes and salads from Mr. Gurkins, had recommended the establishment, and offered to share with her the expenses of the studio. The cheapness of the rooms suited Clytie's modest purse, and the prospect of pleasant companionship in the studio was an additional attraction. It is true that the acrid smell of the potatoes, when the side door from the shop on to the private entrance lobby was left open, ascended the stairs, together with a vague odour of cooking, bearing upwards, as it were, on savoury breath the disputes of Mrs. Gurkins with the shopboy and the cries of her apparently ever-youthful progeny. The incessant rumble, too, of omnibuses, drays, and furniture vans, and the peculiarly aggressive rattle of tradesmen's carts, shook the floor and the windows and shivered the lustres of the chandelier. There were many drawbacks to elegant life, but Clytie, borrowing some philosophy from a talk with Mrs. Farquharson, proceeded to disregard those she could not eliminate. The sitting-room, when the door was shut and the curtains drawn of an evening, was cosy enough. The