It is difficult to disentangle now what I understood at this time and what I have since come to understand, but it seems to me that even in those childish days I was acutely aware of an invading and growing disorder. The serene rhythms of the old established agriculture, I see now, were everywhere being replaced by cultivation under notice and snatch crops; hedges ceased to be repaired, and were replaced by cheap iron railings or chunks of corrugated iron; more and more hoardings sprang up, and contributed more and more to the nomad tribes of filthy paper scraps that flew before the wind and overspread the country. The outskirts of Bromstead were a maze of exploitation roads that led nowhere, that ended in tarred fences studded with nails (I don't remember barbed wire in those days; I think the Zeitgeist did not produce that until later), and in trespass boards that used vehement language. Broken glass, tin cans, and ashes and paper abounded. Cheap glass, cheap tin, abundant fuel, and a free untaxed Press had rushed upon a world quite unprepared to dispose of these blessings when the fulness of enjoyment was past. I suppose one might have persuaded oneself that all this was but the replacement of an ancient tranquillity, or at least an ancient balance, by a new order. Only to my eyes, quickened by my father's intimations, it was manifestly no order at all. It was a multitude of incoordinated fresh starts, each more sweeping and destructive than the last, and none of them ever really worked out to a ripe and satisfactory completion. Each left a legacy of products, houses, humanity, or what not, in its wake. It was a sort of progress that had bolted; it was change out of hand, and going at an unprecedented pace nowhere in particular. No, the Victorian epoch was not the dawn of a new era; it was a hasty, trial experiment, a gigantic experiment of the most slovenly and wasteful kind. I suppose it was necessary; I suppose all things are necessary. I suppose that before men will discipline themselves to learn and plan, they must first see in a hundred convincing forms the folly and muddle that come from headlong, aimless and haphazard methods. The nineteenth century was an age of demonstrations, some of them very impressive demonstrations, of the powers that have come to mankind, but of permanent achievement, what will our descendants cherish? It is hard to estimate what grains of precious metal may not be found in a mud torrent of human production on so large a scale, but will any one, a hundred years from now, consent to live in the houses the Victorians built, travel by their roads or railways, value the furnishings they made to live among or esteem, except for curious or historical reasons, their prevalent art and the clipped and limited literature that satisfied their souls?