The New Machiavelli — Niccolo Machiavelli — John Shaqi
The New Machiavelli
Niccolo Machiavelli · en
That age which bore me was indeed a world full of restricted and
undisciplined people, overtaken by power, by possessions and great
new freedoms, and unable to make any civilised use of them whatever;
stricken now by this idea and now by that, tempted first by one
possession and then another to ill-considered attempts; it was my
father's exploitation of his villa gardens on the wholesale level. The
whole of Bromstead as I remember it, and as I saw it last--it is a year
ago now--is a dull useless boiling-up of human activities, an immense
clustering of futilities. It is as unfinished as ever; the builders'
roads still run out and end in mid-field in their old fashion; the
various enterprises jumble in the same hopeless contradiction, if
anything intensified. Pretentious villas jostle slums, and public-house
and tin tabernacle glower at one another across the cat-haunted lot that
intervenes. Roper's meadows are now quite frankly a slum; back doors and
sculleries gape towards the railway, their yards are hung with tattered
washing unashamed; and there seem to be more boards by the railway every
time I pass, advertising pills and pickles, tonics and condiments, and
suchlike solicitudes of a people with no natural health nor appetite
left in them....
Well, we have to do better. Failure is not failure nor waste wasted if
it sweeps away illusion and lights the road to a plan.
6
Chaotic indiscipline, ill-adjusted effort, spasmodic aims, these give
the quality of all my Bromstead memories. The crowning one of them all
rises to desolating tragedy. I remember now the wan spring sunshine of
that Sunday morning, the stiff feeling of best clothes and aggressive
cleanliness and formality, when I and my mother returned from church to
find my father dead. He had been pruning the grape vine. He had
never had a ladder long enough to reach the sill of the third-floor
windows--at house-painting times he had borrowed one from the plumber
who mixed his paint--and he had in his own happy-go-lucky way contrived
a combination of the garden fruit ladder with a battered kitchen table
that served all sorts of odd purposes in an outhouse. He had stayed up
this arrangement by means of the garden roller, and the roller had at
the critical moment--rolled. He was lying close by the garden door with
his head queerly bent back against a broken and twisted rainwater pipe,
an expression of pacific contentment on his face, a bamboo curtain rod
with a tableknife tied to end of it, still gripped in his hand. We had
been rapping for some time at the front door unable to make him hear,
and then we came round by the door in the side trellis into the garden
and so discovered him.
“Arthur!” I remember my mother crying with the strangest break in her
voice, “What are you doing there? Arthur! And--SUNDAY!”