The Emperor Marcus Aurelius : $b A study in ideals — Marcus Aurelius — John Shaqi
The Emperor Marcus Aurelius : $b A study in ideals
Marcus Aurelius · en
One of his biographers, writing under the Emperor Diocletian, has this
pious reflection on the story: “Such is the force of daily life in a
good ruler, so great the power of his sanctity, gentleness, and piety,
that no breath of slander or invidious suggestion from an acquaintance
can avail to sully his memory. In short, to Antonine, immutable as the
heavens in the tenor of his own life, and in the manifestations of his
own moral temper, and who was not by possibility liable to any impulse
or movement of change, on any alien suggestion, it was not eventually
an injury that he was dishonoured by some of his connexions; on him,
invulnerable in his own character, neither a harlot for his wife, nor
a gladiator for his son, could inflict a wound. Then as now, O sacred
lord Diocletian! he was reputed a god; not as others are reputed but
specially and in a separate sense, and with a privilege to such worship
from all men as is addressed to his memory by yourself, who often
breathe a wish to heaven that you were or could be such in life and
merciful disposition as was Marcus Aurelius.”
We saw that even Marcus’ integrity could not shield his household from
the taint of scandal, ever mingling with the divinity that doth hedge
a king; yet the life of that household was of the simplest kind. The
Emperor’s tastes were mostly domestic--philosophy, the fine arts and
intercourse with the learned world around him. The palace was a museum
of all the curious and choice things of every land gathered together
by Hadrian and preceding Emperors; the precious and luxurious were
strewn all around in Oriental magnificence; but not for long. The
Emperor had learnt from Antoninus to be a king without the trappings;
and in his later life he set an example truly Platonic to all future
monarchs of private detachment for the sake of the public good. At that
time distress became universal; the treasury was exhausted; and yet
money was wanted for the wars in the North. In these circumstances, in
order to avoid all further taxation, Marcus put all the treasures of
his Roman palaces and country villas into the public market. Jewels,
pictures, furniture of rare workmanship; dinner-services of gold and
crystal; murrhine vases; the rich hangings and sumptuous apparel of
the imperial household, including even the wardrobe of silken robes,
interwoven with gold, which had been his wife’s before her death:
all these objects, made sacred by long use in the home of the divine
Cæsars, were put under the hammer and fetched fabulous prices. The
auction lasted two months. The _novi homines_--the Roman equivalent for
our _nouveaux riches_--were as keen as would be a group of Americans
at an auction of the Vatican contents. Thus the historic palace of the
Cæsars was despoiled; but Marcus was content while the neighbouring
library in the temple of Apollo remained intact, with Fronto and
Rusticus to come at morning and evening and walk with him amidst the