A Maid and a Million Men: the candid confessions of Leona Canwick, censored indiscreetly by James G. Dunton — John Stuart Mill — John Shaqi
A Maid and a Million Men: the candid confessions of Leona Canwick, censored indiscreetly by James G. Dunton
John Stuart Mill · en
So we went to live in Wakeham with Aunt Elinor and I had even less
chance to be as boyish as I felt because our dear Aunt had certain
rather definite ideas about the limits of a young lady’s sphere of
activity. Also she was a confirmed art enthusiast and just as soon as
she saw any signs of talent in either of us, she promptly did everything
in her power to encourage us in the direction of artistic careers. We
went to the best schools and had the best tutors obtainable; we traveled
abroad and absorbed culture in many lands; we developed a certain amount
of artistic creativeness and appreciativeness. And yet Aunt Elinor did
not neglect the kind of training which Dad advised: indeed, I think he
was rather proud of us, for we really did become quite proficient after
studying stenography, typewriting, business English, commercial law,
filing, and lots of other purely commercial subjects and had made them
still more valuable by having mastered three foreign languages; so that
at the age when most American boys and girls are completing high school
with a smattering knowledge of half a hundred subjects, we were both
capable of speaking and writing French, Italian or German, and taking
dictation in any of them or in English. Aunt Elinor was proud of us,
too. The last time I saw our father, before his accidental death in
1916, he and Aunt Elinor were indulging in mutual admiration exercises,
congratulating each other on the results obtained. And we twins were the
nicest, meekest, most harmless and un-regular kids that ever existed—at
least, so we must have seemed.
But from the day of Dad’s funeral, Aunt Elinor made a radical about-face
and bent all her energies toward cultivating our artistic talents. No
more commercial stuff now. She thought that Leon had distinctive poetic
ability, so she saw to it that he became acquainted with all the
literature and literary people that could possibly help him develop,
while Leona, the big “I,” being somewhat of a dancer and having been
remarked upon by some really competent theatrical people, was promptly
given over to the best dancing master available, after which my life was
just one pirouette and kick after another—which really wasn’t so bad
because it was physical work and that was what I needed to keep me
happy. We lived in Wakeham, one of the Big City’s most fashionable
suburbs, and moved in a very exclusive, art-loving and -fostering
circle.