Deadlock : $b Pilgrimage, Volume 6 — John Stuart Mill — John Shaqi
Deadlock : $b Pilgrimage, Volume 6
John Stuart Mill · en
She opened the dining-room door, facing in advance the family gathered
at needlework under the gaslight, an island group in the waste of dreary
increasing shabbiness .... she would ask some question, apologising for
disturbing them. The room seemed empty; the gas was turned dismally low.
Only one light was on, the once new, drearily hopeful incandescent
burner. Its broken mantle shed a ghastly bluish-white glare over the
dead fern in the centre of the table and left the further parts of the
room in obscurity. But there was someone there; a man, sitting perched
on the sofa-head, and beyond him someone sitting on the sofa. She came
forward into silence. They made no movement; boarders, people she did
not know, stupefied by their endurance of the dreariness of the room.
She crossed to the fireside and stood looking at the clock-face. The
clock was not going. “Are you wanting the real Greenwich, Miss
Henderson?” She turned, ashamed of her mean revival of interest in a
world from which she had turned away, to observe the woman who had found
possible a friendly relationship with Mr. Gunner. “Oh yes I _do_,” she
answered hurriedly, carefully avoiding the meeting of eyes that would
call forth his numb clucking laughter. But she was looking into the eyes
of Mrs. Bailey..... Sitting tucked neatly into the sofa corner, with
clasped hands, her shabbiness veiled by the dim light, she appeared to
be smiling a far-away welcome from a face that shone rounded and rosy in
the gloom. She was neither vexed nor pleased. She was far away, and Mr.
Gunner went on conducting the interview. He was speaking again, with his
watch in his hand. He, having evidently become a sort of intimate of the
Baileys, was of course despising her for her aloofness during the bad
period. She paid no heed to his words, remaining engrossed in Mrs.
Bailey’s curious still manner, her strange unwonted air of having no
part in what was going on.