Honeycomb : $b Pilgrimage, Volume 3 — John Stuart Mill — John Shaqi
Honeycomb : $b Pilgrimage, Volume 3
John Stuart Mill · en
“Sti-boo, stibee, sti-ibbety-oo, sti-ibbety boo, stibee,” sang Miriam,
getting into the large square bodice of her silkette evening dress. Its
great oblong box-like elbow sleeves more than filled the mirror as she
stood. They were stiffened with stout muslin, and stood squarely out
from shoulder to elbow, so that the little band of silk edged with a
piping of salmon pink velveteen which held them round the arm just above
the elbow could only be seen when she raised her arms. The piping was
repeated round the square neck of her bodice, cutting in front across
the bust just below the collar bone and at the back just above her
shoulder blades. She sang the little refrain at intervals until her
toilet was completed by the pinning of a small salmon pink velvet bow
against the left side of the hard mass of her coiled hair and went
humming downstairs into the hall. The soles of her new patent leather
shoes felt pleasantly smooth against the thick carpet. She went across
the hall to prop a foot against the fender and take one more reassuring
look at the little disc of steel beads adorning her toe. “Stiboo----”
“Won’t you come in here?” said a soft staccato bass voice, a woman’s
voice, but deep and rounded like the voice of a deep-chested watch-dog
barking single soft notes after a furious outbreak.
Miriam looked round. Wiggerson was lighting the big lamp in the
dining-room, peering up under the rose-coloured shade. “In here,”
repeated the deep voice, smiling, and Miriam’s eyes discovered that the
small door set back between the dining-room and the window on the left
side of the hall door was open, showing part of a curious soft brown
room; a solid brown leather covered secretaire, with a revolving chair
between its pillars of drawers, set back in the bow of a small window, a
little bronze lamp with a plain buff-coloured shade standing near a pile
of large volumes on the secretaire, a piece of wall covered with a dark
silky-looking brown paper shining in the glow of an invisible fire. She
went forward across the hall into the room with a polite pleased
hesitating smile. There was a faint rich exciting odour in the warm
little room ... cigars ... leather ... a sort of deep freedom. The rest
of the house seemed suddenly far away. Coloured drawings of houses on
the little brown walls, two enormous deep low leather arm-chairs drawn
up on either side of an enormous fire, a littered mantelshelf. “I saw
you froo the crack,” said a lady, fitted deeply into one of the large
chairs. She held out a small hand when Miriam was near enough to take it
and said softly and lazily, “You’re the new guvnis, aren’t you? I’m Joey
Banks.”
“Yes, I came yesterday,” said Miriam serenely.