Some Artists at the Fair — John Stuart Mill — John Shaqi
Some Artists at the Fair
John Stuart Mill · en
had consented to lend them. There seemed no way out of the difficulty,
when the simple question was asked of the head of the Art Department, if
it was essential to the completeness of the Loan Collection that these
pictures should be in it? To which was answered, that if not essential,
it was at least desirable; whereat this business man gave instructions
that the owners of the pictures be at once communicated with and
informed that he would personally guarantee them against loss if they
would allow the pictures to come. As this little show of public spirit
involved a personal liability of over two hundred thousand dollars, the
figures may be considered eloquent enough to find place in such a paper
as this.
The wisdom of a large policy is to be found on every hand. The
Exposition has been called a dream, and as it is so soon to vanish may
well be one; but if the intent had been to deceive, it could hardly have
been made more deceptive. To one in the gondolas or the launches
speeding between these walls, they stand as though for all time; and for
one walking in the long arcades, detail and veracity of construction
force themselves on the attention most plausibly. It has been too often
described how the architects, adopting certain dimensions, have obtained
a conformity of effect; but that once obtained, they have shown the
greatest freedom, and though all of them are men of many works, they
have never perhaps been more happily inspired. The Administration
building is the appropriate crown to the buildings leading up to it, and
Mr. McKim’s Agricultural building is characterized by great charm of
proportion, and though heavily charged with sculptured decoration is in
nowise overloaded. In addition to the very decorative sculptures due to
Mr. Martiny, there is on this building some of the most satisfactory
ornament in purely classical vein that I can remember on any modern
structure. In fact, though the treatment of this group of buildings is
thoroughly classic, it is pleasant to record the belief that in no other
country would the traditions have been so well observed and at the same
time so revivified as in ours. Our men owe their education to the Old
World, chiefly to France; but it seems as though a certain separation
from the influences of their schools had given them an independence
which their foreign schoolmates lack. It is probable that had Paris in
1889 adopted the programme followed here the result would have been as
correct, as thorough, as noble as this; but the result as a whole would
have been colder, and lacking in the individual character observable
here, where every man seems to continue the tradition rather than follow
it. Mr. Post had long accustomed us to his capacity to build big and
well; but never to build so big and so well as in the Liberal Arts
building. When sailing along the lake-front one appreciates the
immensity of the structure, which seems to equal that of all the other