Some Artists at the Fair — John Stuart Mill — John Shaqi
Some Artists at the Fair
John Stuart Mill · en
buildings combined; but near at hand one feels its beauty more than its
bigness, and the simplicity by which this result is arrived at. The
portals, taking almost all the decorative features, are admirable. Mr.
Atwood’s Fine Arts building is perhaps the best where all is so good,
owing almost nothing to its decorative features--which, as the building
is to be permanent, one may hope to see changed. The frieze of the
Parthenon should hardly be borrowed to grace so fine a modern building.
At night Mr. Atwood’s building is seen in all its beauty of proportion,
and the nights when it is illuminated best of all. The torches running
along the top of the building burn great flames of natural gas, and the
illumination is at once simple and effective. On the roof of the
Administration building something of the same effect is obtained in
conjunction with the electric light outlining the dome; but as the
torches on the Fine Arts building are seen against the sky, the effect
is finer.
Night and electric light play a great part in the spectacular side of
the Fair. Solomon in all his glory never saw such a sight as the plain
people of this continent have had on illumination nights this summer.
Innumerable incandescent lights sparkle along the cornices and
pediments; the top of the wall inclosing the grand basin is outlined in
fire; search-lights from the top of the Liberal Arts building cut their
wide swaths of light in gigantic circles, resting for a moment here and
there to bring out now this detail or to throw into dazzling relief a
[Illustration: CENTRAL PORTION OF MACMONNIES FOUNTAIN--EFFECT OF
ELECTRIC-LIGHT.]