Some Artists at the Fair — John Stuart Mill — John Shaqi
Some Artists at the Fair
John Stuart Mill · en
We traverse the winding lagoon for an hour in continual delight, every
passing moment, every quiet turn of our launch or gondola beneath
arching bridge or jutting revetement opening up in either direction new
and ravishing vistas of architectural beauty. Yet how little have we
considered that the very means of our enjoyment, the pure blue waterway
upon which our gondola so listlessly floats, is the crowning artifice by
which the work of the architect is glorified--a very triumph and
inspiration in the great scheme of landscape--say rather
waterscape--gardening, which has made this Columbian Fair a unique model
for all others of its kind. I think it is conceded by the architects of
the Fair that in no way are its buildings to be seen to such
satisfaction or full effect as from the lagoon. And it is well to
remember, if only as an instructive object-lesson, as we glide upon this
liquid street, how much of our present enjoyment is due to the
forethought of a supreme design, which, even before a single
foundation-wall was laid, had taken into account the most effective
grouping of the architectural features.
More than this, too, how many of these fortunate architects must have
realized the rare satisfaction of having builded better than they knew,
when for the first time they viewed their works from the vantage point
afforded by their collaborator, the landscape artist, and saw these
superb creations given back to them in twofold beauty from the clear
mirror of the lagoon. The unique character and important innovation of
this lagoon feature may be inferred when we consider that we have here
an Exposition covering over five hundred and fifty acres, comfortably
filled to its limits with the ample buildings, and yet no vehicles are
to be allowed within its enclosure, and none will be required. The
circuitous elevated
[Illustration: THE BORDER OF THE LAGOON.]
railroad will of course transport the multitudes; while by the interior
skilful distribution of the water-ways, rippling with gayly caparisoned
gondolas by the score, and a hundred trim electric launches and other
equally picturesque craft, every portion of the grounds will be easily
accessible. The entire circuit on this water-course, from any given
point, will occupy nearly an hour. The luxurious tourist arriving at his
destination is invited at the water’s edge by ascending terraces of
marble steps, their balustrades on either side overtopped by picturesque
masses of tropic and other luxuriant vegetation. Huge bronze-like
agaves surmount the lofty marble urns; cannas, musas, caladiums, in most
effective and artistic groups, are dispersed among broad expanses of
velvety sward, begemmed with parterres of brilliant bloom.