Some Artists at the Fair — John Stuart Mill — John Shaqi
Some Artists at the Fair
John Stuart Mill · en
But it is not alone in these picturesque settings of lawn and garden
which everywhere abound throughout the grounds that we find our fullest
appreciation of the landscape art. In the spell of these imposing
structures, towering above the revetement walls on each side as we
traverse the lagoon, we had utterly ignored another feature of its
banks, or perhaps had our attention only momentarily inveigled thither
by the invitation of the bevy of snowy ducks or geese or graceful swans
hastening from our prow, and gliding beneath the overhanging boughs of
feathery gray willows. Here indeed is a haven for a tired soul, a fairy
realm whose modest charms are apt to be overlooked in the claims of the
overwhelming architectural surroundings. But sooner or later its restful
refuge will be discovered and welcomed. How many a foot-sore mortal,
weary from the very excess of enthusiasm, will seek this quiet
retirement, content for the moment to consign the architect to the
accessory place of vista and horizon, while he roams and pries and muses
among the labyrinthian paths, fragrant bowers, and shadowy glades, and
along the reedy flowery borders of this sylvan fairy island, which the
artistic genius of Olmsted and Codman has here, in two short years,
conjured up like magic from the muddy, dreary marsh.
[Illustration: A BIT OF THE CALIFORNIAN BUILDING.]
Connected to the mainland by a half-dozen spans of bridges, it is
readily accessible from any approach. It is a realm of strange
inconsistencies and surprises, harmonies and pleasant discords, unified
with the rarest skill. The familiar park or garden at one moment, its
curving walks encircling more or less--generally less--conventional
parterre, diversified with closely bedded mosaic of bright blossoms; and
now a path leading us between high walls of blossom-laden shrubbery,
skirting a rustic arbor, or winding beneath the shade of tall, dense
branches of trees, which, however at home they may appear, so
wonderfully has the skill of the landscapist concealed his artifice, are
still almost as much strangers to the soil as ourselves; the adjustment
and grouping giving the complete illusion of nature’s random planting.
[Illustration: THE CALIFORNIAN BUILDING.]
Only a very few of the thousands of trees upon this “wooded
island”--medium-sized white-oaks--are native tenants of the place. Only
two years ago isolated in the more elevated dunes of a great morass,
they now find themselves in strange company; the soil from the bed of
the lagoon, having levelled the former slopes about their feet, is now
peopled with individuals as large as themselves. Many a rare nook upon
the island’s borders would defy the critical scrutiny of the botanist or
artist to detect a single tell-tale evidence of artifice. Would you step
from the conventional park to the wild garden in
[Illustration: A COVE IN WOODED ISLAND.]