Some Artists at the Fair — John Stuart Mill — John Shaqi
Some Artists at the Fair
John Stuart Mill · en
and landscape gardeners in the general plan. Especially is this charm
felt in the absence of rectangular lines of construction; in the winding
in and out of the lagoons; in the neglected fringing of untrimmed
foliage skirting the water’s edge; in the half submerged bits of islands
where the ducks plume their feathers; in the informal formality of great
massing of plants; in the dotting of broad stretches of gray-green water
with gay-colored gondolas; and in the colossal proportions of superb
decorative statues, so that a glimpse of Venice can be caught between
the forelegs of a huge sculptured bull, and the columns of a classic
temple be outlined over the back of some water-sprayed mermaid.
It is easy while under the spell of this Ancient City to persuade myself
that in this their festival year, these nobles who dwell here are
holding high carnival, with much feasting and merry-making, and
illuminations at night. That they have bidden all the nations of the
earth to join them in these gracious festivities lasting many months;
and that as an especial honor, and for the delight and entertainment of
these distinguished guests, they have decreed that a great fair shall be
held where may be seen many strange people from the uttermost parts of
the earth, who, with barbaric dancing and weird music may depict the
manners and customs of their climes. That this Fair of the Festival Year
shall be placed, not within the lines of the Palaces but outside the
walls of the Great City, at the end of a broad highway, rolled out like
a huge carpet of many colors.
* * * * *
Rousing myself from these reveries, I bid Espero good-by, join the
throng, follow through the gates and so out upon this broad highway, the
Plaisance. My dreams are all true. Along the crowded thoroughfare move
half the wild tribes of the earth--Javanese, Esquimaux, natives of the
Soudan, Bedouins from beyond the Great Desert, Algerians, Arabs, Greeks,
Armenians, Syrians, and Turks. Fringing each edge of this gay promenade
I find the huts of the Javanese and Soudanese, the tents of the Bedouins
and Arabs, and the more pretentious booths and structures of the
Algerians and kindred people. Here, too, are the quaint gateways and
open squares of old German and Austrian towns; the low-roofed, deftly
constructed houses of the Japanese; the intricate carvings of India
covering the booths, and, draping the doors of the Eastern bazaars the
rich stuffs, rugs, and tapestries of the Orient.
Near the entrance to the Turkish village, tucked away on one side of the
highway, just out of the rush of the never-ceasing throng, and yet close
enough to be within call, rises the dome of a small Mosque. Above this
a single, snow-white minaret shoots up into the blue.
[Illustration: MOSQUE OF THE SULTAN SELIM.]