When the sun is gone there leans from a tiny balcony high up on this needle of a minaret, a white-robed priest. Suddenly above the whirl and hurry there filters down through the soft twilight air the Muezzin’s call for prayer: “La Ilah Ell-Allah Muhammed Rassoul Ell-Allah.” To me there is nothing so simple, nothing so impressive, nothing so devout, as a Muhammedan standing in the presence of his God. There is a childlike faith, a manly trust, a sincere belief evinced and experienced by these believers, that never seems to predominate in any other form of religion. How often, in a great cathedral, do you come upon a figure silently leaving the confessional, and catching a full view of the face, detect a lingering trace of sorrow, or anxiety, or doubt. But watch the faces of these Muhammedans, these poor sedan-chair carriers, and of that broad-shouldered Arab, who has been moving great boxes of unpacked goods on his back all day. How tired they all look as they enter the Mosque, bowing low with reverent awe, and prostrating themselves wearily to the pavement. It is as if each penitent had brought his very burden within these sacred precincts, supplicating for relief. Now look, when the silent service is over, and study these same faces as, with a light-hearted spring, each man rises from his knees and with serene expression, and calm, restful eyes takes up once more the burden of his life. This exquisite and picturesque little Mosque--it is the prototype of the purest bit of Eastern architecture in Stamboul--these thoroughly genuine people, this sacred service--not as a necessary part of the Oriental exhibit, but as an essential, indispensable part of the life of the natives themselves--this combination of the genuine and the picturesque is to me the true keynote of the Great Exposition. II. My old and valued friend, Far-away Moses:--What a superb old Shylock he is; not in the sense of “three thousand ducats and for three months,” but in the unique quality of the character itself! Neither Irving nor Booth ever conceived so fine and fitting a costume as this old man wears every day in and out of his bazaar, and along the streets of his transplanted village; a costume of soft material, with an under-vest delicately embroidered, the over-jacket a coat of brown camel’s-hair with dark red voluminous waist-sash and the wide Eastern skirts covering his still sturdy legs. My old and valued friend, Far-away Moses, I say, invited me to dinner. I have enjoyed this especial privilege very often in his own bazaar in Stamboul, and the aroma of the Mocha and the soothing qualities of his Narghilehs have haunted me ever since. Now, thanks to his courtesy, I can enjoy them every day. There is nothing missing in the surroundings of his own bazaar here on the [Illustration: “FAR-AWAY MOSES.”]