The Classic Myths in English Literature and in Art (2nd ed.) (1911): Based Originally on Bulfinch's "Age of Fable" (1855) — John Stuart Mill — John Shaqi
The Classic Myths in English Literature and in Art (2nd ed.) (1911): Based Originally on Bulfinch's "Age of Fable" (1855)
John Stuart Mill · en
The myths that we shall relate present wonderful accounts of the
creation, histories of numerous divine beings, adventures of heroes
in which magical and ghostly agencies play a part, and where animals
and inanimate nature don the attributes of men and gods. Many of these
myths treat of divinities once worshiped by the Greeks and the Romans,
and by our Norse and German forefathers in the dark ages. Myths, more
or less like these, may be found in the literatures of nearly all
nations; many are in the memories and mouths of savage races at this
time existent. But the stories here narrated are no longer believed by
any one. The so-called divinities of Olympus and of Asgard have not a
single worshiper among men. They dwell only in the realm of memory and
imagination; they are enthroned in the palace of art.
The stories of Greek, Roman, Norse, and German mythology that have
most influenced our English literature will follow in the order
named. The Romans, being by nature a practical, not a poetic, people,
incorporated in their literature the mythology of the Greeks. We shall,
however, append to our description of the Greek gods a brief account
of the native Latin divinities that retained an individuality in Roman
literature.
[Illustration: FIG. 1. JUPITER SURVEYING THE WORLD]
=3. Origin of the World.=[2] There were among the Greeks several
accounts of the beginning of things. Homer tells us that River Ocean,
a deep and mighty flood, encircling land and sea like a serpent with
its tail in its mouth, was the source of all. According to other myths
Night and Darkness were the prime elements of Nature, and from them
sprang Light. Still a third theory, attributed to Orpheus, asserts
that Time was in the beginning, but had himself no beginning; that
from him proceeded Chaos, a yawning abyss wherein brooded Night and
Mist and fiery air, or Æther; that Time caused the mist to spin round
the central fiery air till the mass, assuming the form of a huge world
egg, flew, by reason of its rapid rotation, into halves. Of these, one
was Heaven, the other Earth. From the center of the egg proceeded Eros
(Love) and other wondrous beings.
But the most consistent account of the origin of the world and of the
gods is given by the poet Hesiod, who tells us that Chaos, the yawning
abyss, composed of Void, Mass, and Darkness in confusion, preceded all
things else. Next came into being broad-bosomed Earth, and beautiful
Love who should rule the hearts of gods and men. But from Chaos itself
issued Erebus,[3] the mysterious darkness that is under Earth,--and
Night, dwelling in the remote regions of sunset.
From Mother Earth proceeded first the starry vault of Heaven, durable
as brass or iron, where the gods were to take up their abode. Earth
brought forth next the mountains and fertile fields, the stony plains,
the sea, and the plants and animals that possess them.