The Trade Signs of Essex: A popular account of the origin and meanings of the public houses & other signs
John Stuart Mill · en
The MAID’S HEAD at Thorpe-le-Soken is, in all probability, not a sign
put up by some enamoured publican. As a general rule the sign, wherever
it appears, has been derived from the arms of the Mercers’ Company,
already given (p. 33). Sir William Parr, K.G., and also his
grand-daughter, Queen Catherine Parr, both bore the same device as a
badge. But in the case of the example at Thorpe there can be little
doubt that the sign is a really ancient one, and that it represents the
crest of the D’Arcy family, Barons of Chiche,[90] to whom, in 1551,
Edward VI. granted the manor of Thorpe and neighbouring lands, which
long afterwards remained in the family. The same sign often occurs
elsewhere as the MAIDEN HEAD. There was apparently a house of this name
(not necessarily an inn) at Chelmsford in the seventeenth century, as
the Rev. R. E. Bartlett finds the following entry in the parish
registers:--“1620, Matthew Prentys of Chelmsford, husbandman and
householder at the Maidenhead in Chelmsford, was buried the xiiii. of
May, being Sunday.” The VILLAGE MAID, which occurs at Bradfield, is a
very modern sign, and is not mentioned by Larwood and Hotten. Probably
the landlord set it up in honour of some damsel of his acquaintance.
The MERMAID, though only a semi-human sign, is most conveniently noticed
here. There is no example of it now existing in the county, though it
occurs on the farthing token of Michael Arnold of Colchester. As a sign
it used formerly to be not uncommon.
The *SILENT WOMAN is the name of a public-house, with a truly pictorial
sign, at Widford. The signs of the GOOD WOMAN and the QUIET WOMAN, which
occur occasionally in other counties, are identical with this, and, all
alike, constitute a piece of unwarrantable slander on the fair sex,
being intended to convey the idea that a woman can only be silenced by
being deprived of her head. Larwood and Hotten say (p. 455):
“There is a very curious example of this sign at Widford, near
Chelmsford, representing on one side a half-length portrait of
Henry VIII., on the reverse, a woman without a head, dressed in the
costume of the latter half of the last century, with the
inscription _Forte Bonne_. The addition of the portrait of Henry
VIII. has led to the popular belief that the headless woman is
meant for Anne Boleyn, though probably it is simply a combination
of the KING’S HEAD and GOOD WOMAN.”
[Illustration: THE SILENT WOMAN AT WIDFORD.]
The inscription on the sign-board is, presumably, intended to be the
French for “Very Good,” but it is spelled “_Fort Bon_,” and it has been
“_Fort Bone_.”
A writer in _Once a Week_ (N. S., ii. p. 487) says: