The Trade Signs of Essex: A popular account of the origin and meanings of the public houses & other signs — John Stuart Mill — John Shaqi
The Trade Signs of Essex: A popular account of the origin and meanings of the public houses & other signs
John Stuart Mill · en
Another strong proof that many of our otherwise incomprehensible signs
have been derived from Heraldry, is to be found in the frequency with
which the number _Three_ appears upon sign-boards. No less than 35
houses in Essex (having 15 distinct signs) are known as the _three_
somethings, while other numbers only occur 12 times in all. The
following is a complete list: There are 3 TWO BREWERS, a FOUR ASHES, 2
FIVE BELLS, 3 SIX BELLS, and 4 EIGHT BELLS. Many of our Essex _Threes_
will be noticed hereafter. The list includes the signs of the THREE
BLACKBIRDS, the THREE COLTS, the THREE COMPASSES, the THREE CROWNS, the
THREE CUPS, the THREE HORSESHOES, the THREE PIGEONS, the THREE TUNS, and
several others. Nor is this peculiarity confined to Essex signs only. In
London the number Three gives twenty-nine distinct devices and
sixty-five signs, including repetitions of the same device. All other
numbers put together only give twenty-two distinct devices, or
fifty-five signs. The author of a curious and interesting letter on the
signs of Bury, which appeared in the _Bury and Norwich Post_ on June 29
and July 6, 1791, noticed this prevalence of the number Three on
sign-boards in his day, and was, he says, “inclined to account for it
from a kind of predilection there is among sign-painters to the number
Three, as we see in the Three Horse Shoes, before mentioned, also in
the Three Bulls, the Three Tuns, the Three Crowns, and the Three Goats’
Heads.”
Now every one acquainted with Heraldry will know how very common it is
to find _three_ charges of some kind or other upon an escutcheon, either
alone or with an “ordinary” or some other charge between them, such as
_Argent, three cinquefoils gules_ for D’Arcy, _Gules, three eagles
displayed or_ for Band, _Gules, a fess between three bulls’ heads couped
or_ for Torrel, &c., and there can be very little doubt that this
striking abundance of the number three on our sign-boards is due,
largely at least, to the frequent use of that number in Heraldry. It
cannot be denied, however, that three was a favourite, or lucky, number
long before the first appearance of the art of Heraldry. Messrs. Larwood
and Hotten cite many instances of its use, even as far back as the time
of the Assyrians and ancient Egyptians. But, in spite of this, there can
be no reasonable doubt that many of our “_threes_” are derived directly
from Heraldry; whilst others are probably derived from it indirectly. In
the latter case the name has been bestowed recently upon his house by
the landlord, because he knew it to be a very common custom to call a
house the “_Three_ Somethings,” although of the origin of that custom he
probably knew absolutely nothing. Essex examples of the former class are
given above. Among those of the latter are probably our signs of the
THREE ASHES, the THREE ELMS, the THREE JOLLY WHEELERS, and the THREE
MARINERS.