The trap : $b Pilgrimage, Volume 8 — John Stuart Mill — John Shaqi
The trap : $b Pilgrimage, Volume 8
John Stuart Mill · en
THE TRAP
VOLUMES IN THIS SERIES
POINTED ROOFS
BACKWATER
HONEYCOMB
THE TUNNEL
INTERIM
DEADLOCK
REVOLVING LIGHTS
THE TRAP
OBERLAND (to follow shortly)
THE TRAP
BY
DOROTHY M. RICHARDSON
AUTHOR OF
“THE TUNNEL,” “REVOLVING LIGHTS,” ETC.
DUCKWORTH
3 HENRIETTA STREET, LONDON
First published . . 1925
(All rights reserved)
Printed in Great Britain at
The Mayflower Press, Plymouth. William Brendon & Son, Ltd.
TO
BRYHER.
THE TRAP
CHAPTER I
1
A short by-street paved from side to side. Narrow house-fronts and the
endmost houses, hiding the passage that curved round into the further
street, high enough to keep out of sight the neighbouring cubes of model
dwellings and to leave, as principal feature in the upper air, the spire
of St. Pancras Church. An old little street. A scrap of old London
standing apart, between the Bloomsbury squares and the maze of streets
towards the City. The light gleaming from its rain-washed flagstones
gave it a provincial air and a freshness unknown to the main streets,
between whose buildings lay modern roadways dulled by mud or harsh with
grimy dust.
Whenever during all her London years Miriam had passed the spot where it
opened into the thoroughfare, the little by-way had drawn her eyes;
always stating its sequestered charm. Entering it now for the first time
she had a sense of arriving nowhere.
She found her number to the right, just beyond the opening, on a
blistered door, whose knocker, a blurred, weather-worn iron face, gazed
sadly downwards. Next the door, within a small window screened from the
interior by a frayed serge curtain, were ranged small blocks of stone
and marble, polished columns, scraps of moulding; and in the centre upon
an oblong mount an alabaster finger. A lady’s forefinger, fastidiously
posed—the nail, smooth joints and softly curving flesh most delicately
carved. Its white cleanliness seemed to rebuke the dust that lay thick
upon the other objects and made their welcome quiet and impersonal. It
was personal, emotional. Arrogant, calling the eye from the surrounding
dusty peace.
Dust lay even upon the large grey cat compactly curled amongst the sharp
angles and looking forth with a green eye, glass-clear and startlingly
bright in contrast to the dried socket from which its fellow should have
shone.