The social contract & discourses — Jean-Jacques Rousseau — John Shaqi
The social contract & discourses
Jean-Jacques Rousseau · en
Rousseau's _Emile_, the greatest of all works on education, has already
been issued in this series. In this volume are contained the most
important of his political works. Of these the _Social Contract_, by
far the most significant, is the latest in date. It represents the
maturity of his thought, while the other works only illustrate his
development. Born in 1712, he issued no work of importance till 1750;
but he tells us, in the _Confessions,_ that in 1743, when he was
attached to the Embassy at Venice, he had already conceived the idea of
a great work on _Political Institutions_, "which was to put the seal on
his reputation." He seems, however, to have made little progress with
this work, until in 1749 he happened to light on the announcement of a
prize offered by the Academy of Dijon for an answer to the question,
"Has the progress of the arts and sciences tended to the purification
or to the corruption of morality?" His old ideas came thronging back,
and sick at heart of the life he had been leading among the Paris
_lumières_, he composed a violent and rhetorical diatribe against
civilisation generally. In the following year, this work, having been
awarded the prize by the Academy, was published by its author. His
success was instantaneous; he became at once a famous man, the "lion"
of Parisian literary circles. Refutations of his work were issued by
professors, scribblers, outraged theologians and even by the King of
Poland. Rousseau endeavoured to answer them all, and in the course of
argument his thought developed. From 1750 to the publication of the
_Social Contract_ and _Emile_ in 1762 he gradually evolved his views:
in those twelve years he made his unique contribution to political
thought.