The History of Roman Literature: From the Earliest Period to the Death of Marcus Aurelius — Marcus Aurelius — John Shaqi
The History of Roman Literature: From the Earliest Period to the Death of Marcus Aurelius
Marcus Aurelius · en
preceded by a single syllable, as in the instance quoted by
Macaulay:
"The | queén was ín her chámber eáting bréad and hóney,"
So in the Scipionic epitaph,
"Qui | bús si in lónga lícuisét tibi útier víta."
These are, doubtless, the purest form of the measure. In these there is no
break, but an even continuous flow of trochaic rhythm. But even in the
earliest examples of Saturnians there is a very strong tendency to form a
break by making the third trochaic beat close a word, _e.g._
"Cor | néliús Lucíus || Scípió Barbátus,"
and this structure prevailed, so that in the fragments of Livius and
Naevius by far the greater number exhibit it.
When Greek patterns of versification were introduced, the Saturnian rhythm
seems to have received a different explanation. It was considered as a
compound of the iambic and trochaic systems. It might be described as an
_iambic hepthemimer_ followed by a _trochaic dimeter brachycatalectic_.
The latter portion was preserved with something like regularity, but the
former admitted many variations. The best example of this _Graecised_
metre is the celebrated line--
"Dabunt malum Metelli | Naevio poetae."
If, however, we look into the existing fragments of Naevius and Livius,
and compare them with the Scipionic epitaphs, we shall find that there is
no appreciable difference in the rhythm; that whatever theory grammarians
might adopt to explain it, the measure of these poets is the genuine
trochaic beat, so natural to a primitive people, [22] and only so far
elaborated as to have in most cases a pause after the first half of the
line. The idea that the metre had prosodiacal laws, which, nevertheless,
its greatest masters habitually violated, [23] is one that would never
have been maintained had not the desire to systematise all Latin prosody
on a Greek basis prevailed almost universally. The true theory of early
Latin scansion is established beyond a doubt by the labours of Ritschl in
regard to Plautus. This great scholar shows that, whereas after Ennius
classic poetry was based on quantity alone, before him accent had at least
as important a place; and, indeed, that in the determination of quantity,
the main results in many cases were produced by the influence of accent.