Notes on the Art Treasures at Penicuik House Midlothian — John Stuart Mill — John Shaqi
Notes on the Art Treasures at Penicuik House Midlothian
John Stuart Mill · en
Very considerable difficulty attaches to the remaining portrait,
which is believed to represent the first Sir John Clerk, and to the
manifestly companion portrait beside it, which has been held to portray
his first wife, Elizabeth, daughter of Henry Henderson of Elvington,
and grand-daughter of William Drummond of Hawthornden, a poet “of an
excellent Fancy for the times he lived in,” as the Baron remarks,
rather patronisingly, in the family history with which he begins his
account of his own life.
It has been stated (Catalogue of National Gallery of Scotland, 1887)
that these portraits “are dated 1674.” This, however, is inaccurate,
as no inscription appears upon either work. It has also been asserted
(Catalogue of Royal Scottish Academy Loan Exhibition of 1863) that “the
original Scougal accounts for the price paid for them” are preserved
at Penicuik; but a search which we have made through the old receipts
of the period has failed to disclose such a document. Probably this
second reference is not to the painter’s receipt, but simply to an
entry of the payment which is to be found in an interesting old
account-book preserved in the Charter-room at Penicuik, one of that
“great many journals and writings” which the Chief Baron records that
his father left “under his hand, which will, I hope, bear testimony
to the regard he always had for virtue and Honesty.” This volume the
Chief Baron—partly in filial piety, more perhaps with the instinct
of the accurate and omnivorous antiquary—has docketed as follows:
“Book of Accompts by my Grandfather Mr. Jo. Clerk, and Father Sir John
Clerk, Whereon are several things remarkable. 1º, their methodes of
accompting. 2º, their methodes of management. 3º, the different
prices of things. John Clerk, 1733.” Here on a page _headed June 1674_,
but under date of “Nov^r 1675,” the following entry appears—“To John
Scougall for 2 pictures £36”; and it is curious, as illustrating “the
different prices of things,” and also as showing how a love of all the
various fine arts prevailed then among the Clerks, as it has prevailed
among them ever since, to note another entry, which appears a few lines
beneath: “To Mr. Chambers for Teaching G. and me to play y^e violl
£150,” both sums being in Scots currency.