at once crystallise intensest emotion and afford its fullest expression, and sign and seal a human soul with final impress of success or failure? Is—in briefest English—the man waiting for the sign that will make him accepted or rejected lover? This portrait, the chief treasure of Penicuik House, would surely possess enough of interest from the power of its artistry, and the romantic associations with which our fancy may possibly invest it; but its interest is deepened, and it gathers a yet more intimate charm when we have heard the beautiful old-world story connected with the lady’s birth. Of this curious episode there are varying versions extant, which are given and fully discussed by Ellen K. Goodwin, in a pamphlet (Kendal, 1886) reprinted from the “Transactions of the Cumberland and Westmoreland Antiquarian and Archæological Society.” There is a puzzling difference between the date of 15th November 1745, given by Lady Clerk as the day of her birth, and that of 3d November which appears in the register of Kirkliston parish as the day of her baptism; but this discrepancy—we may suggest—would be lessened to within a single day, if her Ladyship has calculated according to New Style, introduced in Scotland in 1600, and the register has estimated by Old Style, current in England till 1752; while the presence of the Highlanders at Carlisle at the time would be accounted for if they crossed the border on “the 7th or 8th of November,” New Style. The following is the interesting version of the story, communicated by Lady Clerk herself to the Editor of “Blackwood’s Magazine”:—