Some Artists at the Fair — John Stuart Mill — John Shaqi
Some Artists at the Fair
John Stuart Mill · en
Plaisance. The walls are hung with the wealth of the East. Divans are
scattered about. On a low table, octagon-shaped and inlaid with
mother-of-pearl and ivory, lie yataghans and Turkish arms, embossed with
silver and enriched with quaint design. The light struggles in through
the small windows and half defines the odd interior, quite as it does
in his shop along the Bosphorus. I throw myself upon a pile of Eastern
rugs and begin adjusting the pillows in true Oriental fashion.
The old man claps his hands, and instantly, as if rising through the rug
itself, an attendant appears, receives an order in Turkish, and
vanishes. Not a gentleman, if you please, in a soiled necktie, frayed
shirt-front, and hired-by-the-month swallow-tail coat, but a swarthy
Turk in gold-embroidered vest and the rest of it, who reappears in a
flash with one of those exquisite squatty little tables that might serve
in a baby house. Then more clapping of hands, and more Turks, one a
gorgeous fellow in a solid gold jacket (the light is dim), under-vest of
purple and silver, sash brilliant scarlet, and so on, down to his
magnificent slippers of red morocco, very much turned up at the toes.
And then an inlaid tray with two dainty little cups, mere thimbles, into
which is poured from a long-handled brass pot, sizzling hot over a
charcoal fire, two mouthfuls of fragrant Mocha. Then the Narghilehs,
with their long flexible tubes, amber mouth-pieces, and the bits of
burning coal, keeping alight the little heap of Turkish tobacco on the
top of the slender caraffe-shaped glass.
We talk of the old days in Stamboul and of the morning we spent at the
Bath, where I was parboiled and rubbed full of holes by two
insufficiently clad Greeks; and then of the festival night at Saint
Sophia when, as a member of his household, I entered the Sacred Mosque
barefooted and befezzed. Later on a lighted lantern is brought in, and
we follow another gorgeous slave into the mysteries of my host’s private
apartments where a repast of kebabs and boiled rice is served.
[Illustration: DOORWAY OF THE TRANSPORTATION BUILDING.]
After dinner other lights are fixed against the walls of an outer court,
and a dozen or more of his retinue--Far-away and his _confrère_, Roberto
Levy, count five hundred and fifty followers--with weird song and
gesture, throw themselves with perfect abandon into one of their wild
native dances.
This small army of the Faithful eat, sleep, and dress precisely as they
do at home. The Bedouin women huddle in the dust outside their tents,
baking their wafer-like bread over rounded pans covering heaps of live
coals; the men smoke and lounge on the mats; the dancing-girls from
Damascus and Syria, in the intervals of their stage work, shut
themselves up in their curtain-closed rooms, attended only by their
women.